They don't bound, they skim, bass clarinet (2020), c.6'30''

Wanders, free-bass accordion (2020), c.8'20''

Prelude to a Prelude, cello (2016), c.7'


Fragments I+II, baritone, harp and violin (2021), c.6'

I am not yours, mezzo-soprano+piano (2020), words by Susannah Pearse, c.5', watch here

Mutability, countertenor+piano (2020), c.4'

Timescapes, soprano+piano (2020), c.3'

On The Beach, mezzo-soprano+piano (2020), c.2'30''

instrumental chamber

Flora, viola+dancer (2021)

Glimpses, viola+piano (2020)

Immobile, two pianos (2019)

After Torcello, mixed ensemble (2019)

Four Seas, string quartet (2019)

chamber opera

Heard, six solo voices (SM-SATBar.B) with handheld percussion+electronics, (2021), c.30

Seen, two equal voices and mixed ensemble (2019), c.10'

The next station is Green Park, chamber opera (2019), c.35'

choral/vocal ensemble

In Omnia, SATB (2022), commissioned and performed by the Choir of Wells Cathedral

Quae es ipsa, SSAATTBB (2021), commissioned and performed by the Marian Consort

A Meditation, SATB (2021), commissioned and recorded by The Sixteen

Thou Shalt Know, six solo voices (2021), commissioned and performed by HEXAD 

Thy Creature the Bee, SATB + organ (2021), commissioned by the Worshipful Company of Wax Chandlers

Nunc Dimittis, SATB+solo violin (2020), commissioned by the Choir of Clare College, Cambridge, and Choir and Organ

Moon, six solo voices (2020), performed by EXAUDI

Psalm 65, (chant only) SATB (2019)

Stupki Po Pyasuka (Footsteps in the Sand), AATTBB (2019), commissioned and performed by the Choir of St John's College, Cambridge

The Bells a Winter Night, AATTBB and church bells (2019)

ad te, Domine, SATTBB/AATTBB, (2019)

My Bonnie Lies, SSAA (2019)

Drop Down, ye Heavens, SATB (2018)    available in Multitude of Voyces' Anthem Anthology

Preces+Responses, SSAA (2018)

large ensemble (10+)

Fragments, mixed ensemble (Orkest de Ereprjis) (2021)

Tell-tale Heart, countertenor and ensemble (2019)

The Gates, orchestra (2018)

No way of knowing, 15 solo strings (2018)



Then there was Silence, crowd-sourced field recordings, c.30'