They don't bound, they skim, bass clarinet (2020), c.6'30''
Wanders, free-bass accordion (2020), c.8'20''
Prelude to a Prelude, cello (2016), c.7'
Fragments I+II, baritone, harp and violin (2021), c.6'
I am not yours, mezzo-soprano+piano (2020), words by Susannah Pearse, c.5'
Mutability, countertenor+piano (2020), c.4'
Timescapes, soprano+piano (2020), c.3'
On The Beach, mezzo-soprano+piano (2020), c.2'30''
The World's Wife, a song cycle, soprano, flute, viola, cello and piano (2017), c.13'
Glimpses, viola+piano (2020)
Immobile, two pianos (2019)
After Torcello, mixed ensemble (2019)
Four Seas, string quartet (2019)
What lies behind the fog, six solo voices with handheld percussion+electronics, (2021), c.30
Seen, two equal voices and mixed ensemble (2019), c.10'
The next station is Green Park, chamber opera (2019), c.35'
Nunc Dimittis, SATB+solo violin (2020)
Stupki Po Pyasuka (Footsteps in the Sand), AATTBB (2019)
The Bells a Winter Night, AATTBB and church bells (2019)
ad te, Domine, SATTBB/AATTBB, (2019)
My Bonnie Lies, SSAA (2019)
Drop Down, ye Heavens, SATB (2018) available in Multitude of Voyces' Anthem Anthology
Like as the Hart, SATB+semichorus (2018)
Preces+Responses, SSAA (2018)
Extracts from Ariel, SSSAAA (2017)
large ensemble (10+)
Fragments, mixed ensemble (Orkest de Ereprjis) (2021)
Tell-tale Heart, countertenor and ensemble (2019)
The Gates, orchestra (2018)
No way of knowing, 15 solo strings (2018)
Then there was Silence, crowd-sourced field recordings, c.30'