They don't bound, they skim, bass clarinet (2020), c.6'30''

Wanders, free-bass accordion (2020), c.8'20''

Prelude to a Prelude, cello (2016), c.7'


Fragments I+II, baritone, harp and violin (2021), c.6'

I am not yours, mezzo-soprano+piano (2020), words by Susannah Pearse, c.5', watch here

Mutability, countertenor+piano (2020), c.4'

Timescapes, soprano+piano (2020), c.3'

On The Beach, mezzo-soprano+piano (2020), c.2'30''

The World's Wife, a song cycle, soprano, flute, viola, cello and piano (2017), c.13'

instrumental chamber

Florae, viola+dancer (2021)

Glimpses, viola+piano (2020)

Immobile, two pianos (2019)

After Torcello, mixed ensemble (2019)

Four Seas, string quartet (2019)

chamber opera

Heard, six solo voices (SM-SATBar.B) with handheld percussion+electronics, (2021), c.30

Seen, two equal voices and mixed ensemble (2019), c.10'

The next station is Green Park, chamber opera (2019), c.35'

choral/vocal ensemble

Nunc Dimittis, SATB+solo violin (2020)

Psalm 65, (chant only) SATB (2019)

Stupki Po Pyasuka (Footsteps in the Sand), AATTBB (2019)

The Bells a Winter Night, AATTBB and church bells (2019)

ad te, Domine, SATTBB/AATTBB, (2019)

My Bonnie Lies, SSAA (2019)

Drop Down, ye Heavens, SATB (2018)    available in Multitude of Voyces' Anthem Anthology

Like as the Hart, SATB+semichorus (2018)

Preces+Responses, SSAA (2018)

Extracts from Ariel, SSSAAA (2017)

large ensemble (10+)

Waving, chamber orchestra, (2021)

Fragments, mixed ensemble (Orkest de Ereprjis) (2021)

Tell-tale Heart, countertenor and ensemble (2019)

The Gates, orchestra (2018)

No way of knowing, 15 solo strings (2018)



Then there was Silence, crowd-sourced field recordings, c.30'